Confession.

Time to fess up.

I have a vice.

To be fair, I have multiple vices, but there’s one I just can’t resist. Whenever I have the opportunity to indulge in it, I do. I can’t help myself.

It’s pinball.

(Boo this man!)

Okay, yeah, that’s a pretty weak-sauce vice, but it’s mine. I’ve loved pinball ever since I was a kid. There’s a picture, probably long gone by now, of me in the lobby of a Shakey’s Pizza at the age of six or seven, wearing my Mork from Ork rainbow suspenders and playing Bally’s Flash Gordon pinball table.

When I ran my comic shop in the 1990s, there was a pizza joint across the street with a Guns ‘N’ Roses table up front that I’d play daily. The third ball played “Nightrain” and you could get a wicked multiball while the song was on.

Whenever I’m at an arcade, it’s a coin-flip whether I’m drawn to the light-gun shooters or the pinball tables first, but I always hit every single one. So yeah, I was kind of bummed when the tables started disappearing, and the arcades after them.

There have always been computer versions, like the one that used to be built into Windows, but they’re rarely the same. Pinball FX is a game where they’d design impossible effects-driven tables with 3D figures walking around on the playing field and licensed content, but it was just never going to scratch the same itch.

Until a bunch of hobbyists started digitizing actual pinball tables, and then it was like discovering crack cocaine. Early attempts were very limited due to the licensing involved, but eventually Williams partnered with Pinball FX and started releasing vintage tables in digital format. When I found out I could get Pin-Bot and Bride of Pin-Bot, even though I don’t get the wonderful tactile response, I was bitten hard. And so I’ve been collecting every remade digital table they release.

I mention it today just because they finally started producing the heavily-in-demand expensive-license tables, like the Star Trek TNG and Addams Family boards. I see a lot more coming, too, like the Judge Dredd table and the various Elvira ones. So even though there’s the winter sale coming up on Steam, seeing everything discounted for the Fall sale has caused me to open my wallet yet again.

(No Guns ‘N’ Roses as of yet. Music licensing has to be a bitch, but hope springs eternal.)

I thought I was the Bally table king

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Also.

I discovered today that this site has been indexed by Google and shows up in search results.

Which is kind of terrifying. Flinging these words out into the ether just for myself was one thing, but now that anybody—not just those who I gave the link—can see this, well, it’s downright unnerving.

But that’s part of my penance. I hid my light under the proverbial bushel, keeping it even from those I loved most; now I cast that light out into the universe, perhaps in the vain hope that it will somehow still reach those I dearly miss.

Hale wú yu ga I sv

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Fub Fact Friday: A space rock that keeps away space tigers.

I love the logistics end of space exploration. The way humanity attempted to deal with the contingencies of the Space Race always entertain me.

Like the fact that the Soviet space program had to deal with certain realities the American program never did. America had control over the world’s oceans, so it made the most sense to have re-entering space capsules splash down, where they could be rescued by the Navy. Russia, on the other hand, controlled much larger land areas, so the Soviet astronauts came down on land. And since it’s a little more difficult to get to some parts of the (then) Soviet Union than others, cosmonauts occasionally had to prepare for a long wait before being recovered.

Which is why among the survival gear Soviet cosmonauts were issued was a fucking shotgun to fend off wolves.

(They also mounted a machine gun on their first space station. Despite what Firefly would have you believe, guns work just fine in space. Gunpowder contains its own oxidizer.)

My favorite part of the American space program is just how janky some of the solutions were. NASA came up with a trainer designed to mimic how the Lunar Module worked that was dubbed “The Flying Bedstead” that nearly killed Neil Armstrong in an enormous fireball before it was retired. And I’ve already mentioned how one of the reasons Apollo 12 didn’t end a few minutes into the launch was the fact that Pete Conrad thought firing off the escape tower would be almost as dangerous as the Saturn V exploding.

There’s also the escape slide they installed on the Space Shuttle after Challenger. The problem with bailing out of the Shuttle is that the hatch is right above and forward of the wing, so they designed a long, flexible pole that would, in theory, allow astronauts to slide and dip out of the way before free-falling away and popping their chutes. (Odds were much more likely they’d be rendered into their component atoms.)

But by far my favorite piece of space jank is a proposed system designed to recover the astronauts should the Lunar Module fail on the moon’s surface. One plan for later Apollo missions would involve the stranded astronauts ripping the ascent engine out of the LM, ripping the bench seat off the Lunar Roving Vehicle, strapping them together and rocketing into low orbit like some kind of hellacious Jackass skit whereupon the Command Module pilot would swoop down and grab them.

Makes the ending of The Martian seem meticulously planned out.

Tell my wife I love her very much (she knows)

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The Prophecy.

“So what’s up with this kid that Master Qui-Gon found? Anakin, I think his name is?”

“Dude, I have no idea. Master Windu and Master Yoda are freaking the hell out, though. Something about him fulfilling an ancient prophecy.”

“What’s the prophecy?”

“They say he’s going to ‘bring balance to the Force.’ At least I think that’s what they said.”

“What the fuck does that even mean?”

“Don’t ask me, I flunked prophecy class, that’s why I’m out here guarding the temple landing pad with you.”

“Huh. Well, let’s think about it. Balance to the Force. How many of us Jedi are there?”

“Oh, like thousands, for sure.”

“And how many Sith are there?”

“Two, there are always two.”

“…”

“…”

“Hey, wait just a fuckin’ minute…”

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A Night in the Lonesome October.

Almost forgot that it’s that season again. Beginning my yearly re-read of A Night in the Lonesome October by Roger Zelazny, one chapter per night. Roger’s my favorite author of all time, mostly for his absolutely sublime Chronicles of Amber, but this book comes a close second.

If you’ve never read it, it’s the diary of Jack the Ripper’s dog as he and his master compete in an arcane contest with other horror archetypes to either bring about or prevent the enslavement of the world by the Elder Gods.

If you’ve never become acquainted with Roger, that’s gonna sound really weird. If you know the master and his works, it’s just another Thursday.

(I re-read Amber about once a year as well, and I always find something new to think about in it. I highly recommend trying him out if you’re a SF or fantasy nerd; his death and the subsequent mishandling of his estate caused him to fall out of the spotlight somewhat, but his kids have done a great job bringing his stories back to us. And if you’re not familiar with his body of work, I can guaran-damn-tee the authors you love know the man.)

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Wow.

So that whole “digging into my past” thing paid off in a real monkey’s-paw kind of way.

I stumbled across the epubs of a couple of Sid’s books. I didn’t know I still had these.

Trying to decide whether I’ve got the gumption to sit down and read them. I’ve still been chickening out on rewatching Until the End of the World just because of how much Claire is going to remind me of her, and I’ve got the collected works of Sid’s favorite author, Sheri S. Tepper, tucked away in my Kindle but so far untouched. But this is an entirely different beast. On the one hand, it’s going to be wonderful living in the worlds she created just for a little while, a pure distillation of her creativity and spirit. But it’s also going to be a stark reminder of what I’ve lost, and the self-recrimination for my letting us drift apart is going to be a bitter as hell pill to swallow.

The one good thing about everyone you love being gone: you can’t let them down anymore.

(Okay, shit, that was a little too maudlin, even for me. The light inside me is dim, even by Eastern European standards.)

I’m okay, I promise. Just swinging low. Tomorrow will be something funny.

I talk to you, and I swear you hear it

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Vu ja de.

Going to be light posting for a bit, because I’m working on the AZ-104 certification. I scored the voucher a while back from one of Microsoft’s promotions they do every year, and I was feeling pretty meh about it until I stumbled into a job where I get to touch Azure every day. So I’m going to hammer down and see if I can land the cert by the 17th of next month. (And I better, cause I put off the CCNA to do it.)

But the actual content for today is light for another reason; I stumbled across a complete and utter mystery. So, I can recall most of my creative ideas, books or stories that never went anywhere, but I can still generally remember the shape of the thing. Like my first godawful science fiction story from back in grade school, or the short (very short) one from that period that I’d actually love to dig up and post because it was honestly really good. Or the horror story I wrote in high school, or terrible fanfic ideas I had the werewithal not to attempt. I still have most of a fantasy epic banging around in my head that I’ll probably never do anything with, and then of course the two books I’m actively working on now.

But this evening, I was clearing out some old directories, and I came across the beginning of a science fiction story that I couldn’t actually remember writing. I honestly thought it was something I’d copied from somewhere, but it’s clearly a thing I wrote. Reading my own words as if I was a reader introduced to me for the very first time was absolutely surreal. It was like I was looking into a parallel dimension for a second. It’s kind of like a vivid dream that you just can’t remember; clearly I had an idea and I can see the bones of something there, but I just can’t recall or work out what the intent was. It’s almost kind of sad, seeing the shadow of something that never was and will never be.

[tonystark]sweetheart, that could be the name of my autobiography[/tonystark]

Going to have to dig deep into the nested archive folders that have built up over the years to see if I can find any more weird, buried treasures. Because God knows with my penchant for starting things and never finishing them, I’ve probably got acres of scraps sitting around here to marvel at.

A lifetime spent preparing for the journey

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Non-Disclosure Day

When I became a transcriptionist, I quickly learned the ins and outs of the non-disclosure agreement.

The most basic level was the agreement with each transcription house. Even if there wasn’t a detailed, explicit document, transcribers recognize that they will become privy to non-public information through the course of their work, and they’re expected to maintain the confidentiality of that information. For instance, I got to caption much of the first season of Game of Thrones months before it aired on HBO, and I’d regularly get to see episodes of reality TV long before the public would. I’d also get access to the behind-the-scenes production conversations between takes, which became a fascinating look into how these shows came about. (And if, say, a prominent Food Network star had, between setups, let slip that they shot a man in Reno just to watch him die, I couldn’t divulge their name.)

(Don’t ask.)

(No, it’s not Giada.)

(Clearly, I’m joking. But I will say it was neat getting to see what the stars were like while the cameras weren’t rolling. Giada was incredibly genuine and approachable; Robert Irvine was super humble, possibly due to that whole resume-padding incident; Alton Brown was exactly the kind of nerd he comes across as on-camera and it was awesome. And Marc Summers always seemed like he’d just railed a giant-size Pixy Stix right before they called action. My dude had energy.)

The first official NDA I ever had to sign was when one of my clients started doing work for Oprah Winfrey’s network. We got a big pile of boilerplate that held us to secrecy regarding anything we might see or hear, and it probably had some teeth behind it. I remember expecting that I was going to be privy to some crazy stuff, but it was all very mild. I’m guessing it’s just Oprah’s lawyers covering all their bases, just in case.

The really heavy one was when I got tapped to work on the Hobbit movies. Films were always more intense; lots of times the files we get would only have the working title/codename of the movie. (For instance, and you’ll understand where this came from if you actually saw the flick, but the Ezra Miller Flash movie came to us under the working title “Baby Shower.” Which I thought was clever, even though I wasn’t a fan of the finished product.)

Another cool thing was working animated films. Whereas in live-action, the money is spent shooting the actors, the big cost of an animated feature is the actual animation. So what they tend to do is write a huge script with a bunch of stuff they may not need in it, and then have the voice actors read everything and then pick and choose what they want to animate. More than once I saw an animated feature I’d worked on and like half the subplots weren’t even in the finished film. I remember one they probably could have animated an entire additional movie out of, a la Anchorman 2, they’d recorded so much extra dialogue.

But for The Hobbit, it was an extensive project, and they were shooting the special edition content for the Blu-Rays alongside, so we got to see a ton of what was going on. I used to joke with my friends that I was working on a movie where if I so much as told them the title, a Hollywood director whose name they would instantly recognize would get to shoot me in the face with a shotgun. It wasn’t far off, either. It was nice when the films actually came out and I could talk about it, since everything I’d seen was now public knowledge.

The big one, though, was when I got a job doing transcription work for a defense contractor. I’d transcribe meetings and events, and the NDA I had to sign there was terrifying. With good reason; on more than one occasion I was in possession of knowledge that, had I made it public, would’ve gotten me on the news. (Just to be clear, I’m not talking about malfeasance or whistleblower-type stuff, just insider information that might have affected a stock price or two.) To this day, I won’t name the company, lest they swoop in on me out of the past, lock me in a room and throw away the room.

(And no, I didn’t use any of that information myself. My karma’s already questionable as-is.)

You run so fast, you catch on fire; you just gotta burn

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A month in.

Still working on that chapter (and a certification is kicking my ass), but it occurred to me that I’m a month into this project so I thought I’d take stock. Still don’t have a very good word count plugin, so I had to tote things up manually.

And I hit more than 26,000 words. That’s firmly into “novella” territory. I wrote the equivalent of a novella in a month.

I think I might still be a writer.

It’s a thousand pages, give or take a few; I’ll be writing more in a week or two

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Intermission.

Exhausted my creative energies today swinging at the first chapter of Elsewhere. Hoping I’ll have something to show for it tomorrow, or at the very least a more substantial post.

In the meantime, here’s a quick anti-joke.

Did you hear the one about the cannibal that dumped his girlfriend?

Think about it.

Isn’t it enough to know that I ruined a pony making a gift for you?

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